The rules: Ratings go from one to four stars, no halfsies. No giving
away the plot. No long windage. Only includes movies I've seen in
the theater. I tend to rate generously, because hey, I like going to
the movies.
20 Nov 2005
Cape of Good Hope ***
Likeable lightweight ensemble multiracial romantic-comedy dog movie
set in Cape Town. Distractingly amateurish at times, but the
characters and predicaments are far more believable than the typical
hollywood movie.
Capote **
Certainly the acting is good, but I found it basically boring. Maybe
it's more interesting if you have read In Cold Blood.
You Me & Everyone We Know ***
Pretty decent, especially considering the director/star has a
background in Performance Art. Some wildly hilarious bits & some
disturbing bits & some poorly paced boring bits.
Wallace & Gromit ****
Pixar's render farm should be tossed into the Pacific Ocean, and
all future animated films done in claymation.
Grizzly Man ***
Timothy Treadwell played with bears, then finally was eaten by one.
It's a crazy story about a crazy fella. I could have done without
some of Werner Herzog's heavy-handed narration. Also, I wanted more
Treadwell wildlife footage, less talking heads.
Serenity ***
A rag-tag band of swashbuckling outlaws (with hearts of gold) careen
across the galaxy in a souped up rustbucket etc etc etc. Treading
water in a sea of pompous cliches and suffering very marginal acting
from the protagonist. And yet, it feels like real sci-fi with
spectacle, nerdy themes, and a few memorable characters. For me, that
adds up to decent entertainment.
2046 ****
Mysterious noirish romance tragedy. Most of the time while I was
watching it, I thought it was too mysterious, but it started to make
more sense towards the end, and in hindsight it feels satisfying.
The 40 Year-Old Virgin ****
Classic!
Sympathy For Mr. Vengeance *
By the Oldboy director, Chan-wook Park. Strong visuals & often
interesting story, but the violence is so realistic, pointless and
disturbing that I found the movie hard to watch and ultimately
unredeeming.
Broken Flowers ***
Has its moments, but mostly it's too understated for my taste.
Imagine Lost In Translation with less momentum.
The Wedding Crashers ***
If you've seen a preview or even a poster of this movie, you already
know everything you need to know, but I'll repeat it anyway: the
actual plot is retarded, but Vince Vaughn and Owen Wilson are funny.
The Aristocrats **
Documentary about the world's dirtiest joke, with many famous
comedians. George Carlin's rendition, early in the film, is
gut-busting, and there are a couple other highlights, but other than
that the movie is kind of overstretched and tedious. This would be a
good thing to watch on HBO when nothing much else is on TV.
Batman Begins ****
Good actors, great visuals, not-too-embarassing script == super
superhero movie.
Hustle And Flow ****
Yet another "redemption through music" flick, but a good one.
Charlie and The Chocolate Factory ***
(The new one with Johnny Depp.) Entertaining, perhaps more faithful
to the book in mood and some details. But overall not as great as the
original movie adaptation with Gene Wilder.
The Beat That My Heart Skipped ***
French toughguy rediscovers an interest in playing the piano
seriously. Features some action, some real-estate deals, some piano
playing, and other miscellaneous vignettes from the life of the
protagonist. Overall I thought it was engaging and not cheesy.
Joint Security Area ***
The first feature by Chan-wook Park, the directory of Oldboy. It's a
thriller set on the heavily armed border between North and South
Korea. Decent, with lots of nice details, but I found it a little
slow at times, and definitely not as exciting as Oldboy.
Look At Me ***
French character-driven dramedy. There are some parts where it hits a
nice groove, but then there are other parts where it just kinda drags
along.
Layer Cake ***
Not great, but mostly good. At times, it's oddly slack, bordering on
dull, for an action/crime thriller.
Star Wars: Episode III ***
Some of the acting & dialog is just incredibly bad, it's too long, and
the computer effects are missing the famous grit of the original Star
Wars movies. But the fight scenes are good, and the story is coherent
and wisely focuses on characters we love from the first Star Wars.
Crash **
Not a total loss; the acting is generally good and there is some good
dialog here and here. And I don't think it's valid to criticize a
movie for being "manipulative". After all, the whole point of
watching a movie is to have your feelings manipulated. On the other
hand, it is valid to criticize a movie for being pretentious,
contrived, overbearing, cheesy and boring.
Hitchhiker's Guide To The Galaxy ***
Good, but I have a sneaking suspicion I've encountered this material
somewhere before...
Fever Pitch ***
Fun Romantic Comedy Starring Drew Barrymore (tm). Really there is
nothing wrong with this movie; it's pretty funny with good comic
detail, but it's not nearly as gross/hilarious/intense as the best
Farrelly Brothers work. It's great to see Boston on the big screen
though.
Kung Fu Hustle ****
Pure Viewing Satisfaction. Reminiscent of classic Jackie Chan. I
predict this will be the best action/comedy movie released this year.
Hotel Rwanda ****
Excellent, worth seeing.
Steamboy **
Quality Japanese animation, but the story is awful. Sadly, Steamboy
is no Oldboy.
Oldboy ****
Some imperfections, but this is a thoroughly entertaining Korean
suspense/thriller. Avoid if you're squeamish.
Constantine **
The Matrix + The Exorcist - Suspense - Story
Head On ****
Brutal, bloody, disturbing but engaging love story.
Ong Bak: The Thai Warrior ***
Thin plot, good stunts.
In Good Company ****
No knife fights, no flashbacks, no hostage situation, no period
costumes, no deadly virus, no animated bears, just people doing normal
stuff. A fine fine movie.
Million Dollar Baby ***
A lot like Rocky, but with some twists. I had a big problem with one
of the twists though.
House Of Flying Daggers ***
Good looking, and has a lot of nice kung fu fighting. I found the
story kind of disappointing.
The Life Aquatic With Steve Zissou ****
It's a good movie. You could be distracted by the cute/clever/odd Wes
Anderson stylizations, or you could enjoy them; it's better to enjoy
them.
Bad Education ****
Gay, but good. (Or, "and good", if you prefer.)
The Aviator ****
I broke my "no biopics" moratorium to see this w/ my brother on Xmas.
What do you know, it's a good movie.
Ocean's 12 **
Nominally entertaining, but highly redundant.
Sideways ****
I think this movie would probably be most enjoyable if you forget all
the Oscar garbage and think of it as a somewhat crude buddy-pic road
movie and keep your expectations moderate.
Hero ****
Toothsome martial arts fairy tale. Yet I find the political message
disturbing in light of modern China's one-China obsession. I may be
reading too much into it.
The Incredibles **
Just about perfectly made. It's got humor, heart, action, visuals.
The problem, for me, is that it's so relentlessly competent and
agreeable in all areas, that it completely lacks any element that is
interesting, disturbing, flawed or provocative. I don't often walk
out of a movie thinking "Gee, that was a waste of 90 minutes,"
especially if the movie is basically well put-together, yet that is
how I feel about The Incredibles.
Of course, it is a cartoon.
Bourne Supremacy ***
Pretty good.
Collateral ****
I liked this a lot. I usually like Michael Mann's flicks.
Team America World Police **
Amusing concept. Not terrible, but could have been better.
Garden State ****
A little sappier than I normally tolerate, but so sincere that I don't
mind.
Sky Captain And The World Of Tomorrow **
Eh.
Primer *
I blogged about this. Aimed for greatness, but nailed terribleness.
I will definitely see the director's next movie though, if there is
one.
Eternal Sunshine Of The Spotless Mind ****
My top movie for 2004, by a long shot. I found the characters often
weak, foolish and annoying, and yet (or therefore) easy to identify
with. The depiction of memory erasure felt more violent to me than
anything I've seen in a movie in a long time.